A Prayer for Owen Meany
by John Irving
“I am doomed to remember a boy with a wrecked voice.” A Prayer for Owen Meany begins with those words from narrator John Wheelwright, who then goes on to say, “…not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother’s death, but because he is the reason I believe in God; I am a Christian because of Owen Meany.” And with that introduction, Irving provides the framework for A Prayer for Owen Meany, a story of faith and the role that it –and fate – play in our everyday lives.
Not that Owen Meany could be accused of having an everyday life. Very early on, his extraordinary nature becomes apparent – upon their first meeting, John’s cousin Hester proclaims, “I didn’t think he was human!” And it isn’t every day that you accidentally kill your best friend’s mother by hitting a foul ball during a little league baseball game (“Who would have thought he could hit a ball hard enough?,” John’s cousin Simon asks). Not long after this tragedy Owen – who is 11 years old at the time –learns his fate when he sees a vision of his own death while portraying The Ghost of Christmas Yet to Come during a production of A Christmas Carol.
One way to look at the book is to say that, armed with the foreknowledge of his own death, Owen’s life from that point on becomes a series of events which prepare him for that day. Owen believes he is God’s instrument, and over time he comes to know so much about his death – through a series of increasingly detailed dreams – that it becomes easy to ascribe that motive to all of his actions and decisions. Is the book, then, Irving’s attack on faith? Does Irving believe that those who ascribe “God’s will” to all things under the sun are fools? After all, John Wheelwright, who finds his own faith through what happens to Owen, is not a happy man, somehow incomplete and even damaged without the presence of his best friend. Or, is Owen’s story Irving’s way of saying that only through faith can our lives have any real meaning? The book does not resolve this question, but my view would be toward the latter proposition.
In the end, the strength of Irving’s writing is such that such questions become secondary to the power of the story itself. And it is a wonderful story; wonderfully told, at turns hilarious, moving, and emotionally shattering. Owen’s words, all written IN CAPITAL LETTERS, are memorable whether he is talking about John F. Kennedy, Liberace, the increasing horror of the Vietnam War, which of the town’s mothers have THE BEST BREASTS, or engaging John Wheelwright in a conversation about faith and the power of prayer. Owen gets most of the best lines, but as with many of his works, Irving is generous with his supporting cast – providing memorable moments to John’s family, creating a memorable villain in Randy White who rivals Garp’s Michael Milton, and investing much time in making John Wheelwright a believable and worthy narrator (playing the perennial doubter to Owen’s true believer).
As he has proven in many of his works, Irving’s gift is his ability to find meaning in the ridiculous (or the absurd). And while that may sound like a disrespectful way to treat one’s faith, one cannot really question that what happens to Owen is absurd. But it happens, and in a believable way, and therein lies the power of A Prayer for Owen Meany.
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