There’s
no doubt that The B-52’s’ first album is their masterpiece, and without
question one of the greatest New Wave albums.
But I’ve always had a soft spot in my heart for the follow-up, most
likely because it became a staple of Deutsch Hall parties at UC Berkeley in the
fall of 1980. And trust me, there were a
lot of parties that fall. Those were different days in college dorms;
on my very first night there our dorm RAs hosted a wine-and-cheese party – and mind
you, this was an official dorm
function. Berkeley was on the quarter
system back then, and every quarter each floor of the dorm got a cash allotment
(apparently, from an account derived from the fees we paid) to spend on
whatever we wanted – and if we wanted a keg party, that was quite alright. (Mind you, I’m not saying these things don’t
happen on college campuses anymore, but I somehow suspect that the days of
official underage drinking events are over).
But
back to the album – the first side is almost (hold up thumb and forefinger) as
a good as the debut, beginning with “Party Out of Bounds” and closing with “Private
Idaho.” The three songs between them are
little more than extended riffs turned into songs, but I always loved the way
that the slow burn of “Dirty Back Road” segued into the faster “Runnin’ Around”
and “Give Me Back My Man.” The second
side isn’t quite as successful, but at least a couple of the songs – “Quiche
Lorraine” and “Strobe Light” – work as really good jokes.
So
why were The B-52’s so popular with a bunch of crazy smart kids away from home
for the first time? Maybe there was
something intoxicating about the simplicity of the music and the enthusiasm of
the singers – no one who’d never heard Fred Schneider before could really
believe what they were hearing, and it wasn’t long before the young women of
the dorm were competing for who could do the best impressions of Kate Pierson
and Cindy Wilson. And maybe it was just
because you couldn’t listen to this stuff without wanting to join in, jump
around and have a good time.
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